<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">袁行霈</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">论李杜诗歌的风格与意象</style></title><secondary-title><style face="normal" font="default" size="100%">社会科学战线</style></secondary-title></titles><keywords><keyword><style  face="normal" font="default" size="100%">诗歌意象;李白诗歌;杜甫;风格特点;李杜;意象群;个性特点;杜诗;文艺学;大鹏</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">1981</style></year></dates><pages><style face="normal" font="default" size="100%">257-264</style></pages><isbn><style face="normal" font="default" size="100%">0257-0246</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">李杜风格,论者纷纭,而以严羽的两句话最中肯綮: 子美不能为太白之飘逸,太白不能为子美之沉郁。——《沧浪诗话·诗评》以飘逸与沉郁对举,最能见出两人的风格特点。飘逸者,如春烟,如秋岚,如天外之鹏飞,如海上之浪翻,无拘无束,舒卷自如,才情豪迈,无迹可求。正可谓</style></abstract><issue><style face="normal" font="default" size="100%">4</style></issue></record></records></xml>