<?xml version="1.0" encoding="UTF-8"?><xml><records><record><source-app name="Biblio" version="7.x">Drupal-Biblio</source-app><ref-type>13</ref-type><contributors><authors><author><style face="normal" font="default" size="100%">袁行霈</style></author></authors></contributors><titles><title><style face="normal" font="default" size="100%">词风的转变与苏词的风格</style></title><secondary-title><style face="normal" font="default" size="100%">社会科学战线</style></secondary-title></titles><keywords><keyword><style  face="normal" font="default" size="100%">苏轼;苏词;词风;陈子昂;风格;中国古代文学;东坡词;陶渊明;以诗为词;婉约词</style></keyword></keywords><dates><year><style  face="normal" font="default" size="100%">1986</style></year></dates><pages><style face="normal" font="default" size="100%">302-309</style></pages><isbn><style face="normal" font="default" size="100%">0257-0246</style></isbn><language><style face="normal" font="default" size="100%">eng</style></language><abstract><style face="normal" font="default" size="100%">一如果可以比拟的话,苏轼对宋词发展所作的贡献,大概相当于陈子昂和李白两人对唐诗的贡献。胡寅在《酒边词序》中说: 眉山苏氏一洗绮罗香泽之态,摆脱绸缪宛转之度。使人登高望远,举首高歌,而逸怀浩气,超然乎尘垢之外。于是《花间》为皂隶,而柳氏为舆台矣。</style></abstract><issue><style face="normal" font="default" size="100%">3</style></issue></record></records></xml>